CASTRO SMITH is an award-winning Goldsmith and traditional hand engraver based in London, with a background in painting and printmaking. His distinctive style, both illustrative and painterly, is evident in the intricate designs of his pieces which are often inspired by history, mythology, and the natural world.
Our first ever engraved ring. It has been engraved the most but I have finally mastered a version I like. It is inspired by a recipe I found in a museum showing the culture of Togo and Benin.
But is it a Serum or a Poison? Is it even real? Itchy pea pods, a blue tarantula, a lizard tail.
The 6th Ring embodies the urgent message of the Holocene Extinction or 6th Extinction.Cast in 18kt gold and set with salt & pepper diamonds, it symbolizes humanity’s impact on our planet. This piece serves as a powerful reminder of our responsibility towards the environment and the precious life it holds.Heavily inspired by industry and science fiction, EX-A Studio holds a unique perspective on the past, present, and future. Through a self-guided approach, his designs are futuristic and otherworldly while appearing as unearthed relics of the past-impossible machines, extraterrestrial hardware that might give us an insight into what could be.BALINT SAMAD creates exceptional, finely gem-set-jewellery for those seeking something off the beaten track, creating heirlooms for future generations. His unique take on classically inspired designs and values of hand craftsmanship have given him a reputation for effortlessly melding the traditional and the contemporary to create beautiful and bold pieces.The tangent ring depicts the light show of stars before they fade into extinction, whilst the flowing form harks to life’s twists and turns or tangents.At the centre of this ring is a natural 4ct Ceylon sapphire, accompanied by a scattering of smaller sapphires in natural form. This is a truly unique piece, centred around a rare gem.Extinction ring inspired by the resilience of fungi, this ring captures the moment of emergence: an egg-like form pushing through fractured ground.
Mushrooms have survived every mass extinction, rising even from ash. This piece reflects enduring life, when humanity is gone, fungi will remain, weaving new worlds from what is lost.MARTINA KOCIANOVA crafts sculptural jewelry by hand, using traditional techniques like gem carving, stone setting, and engraving. Inspired by mushrooms foraged in her native forests, she creates pieces that feel alive, rich with textures, stories, and symbolism. Her work celebrates mushrooms as contemporary talismans of connection and luck.
JET McQUISTON is a self-taught artist from London creating meaningful, modern-day heirloom jewels that memorialise people, relationships, history and ideas. Jet sees jewellery as the perfect setting to store data: a tiny precious vessel that if made carefully can communicate for thousands of years. All Jet’s pieces are made in the UK with fully traceable materials and with specialist craft and technical processes.Jet's Mythical House of Inspiration incorporates 30 quotes by iconic artists from the past 5 centuries.
Derived from semiotics-the philosophical study of signs and how words have the power to shape reality. The piece can be worn as a power totem to meditate on and bring about energy. It may also be used with its larger objet d'art as a tiny gong designed to revive. The egg as a house is a metaphor for the continuation of life and art. In a utilitarian world, art is more valuable than ever-a sanctuary allowing the creation of something out of nothing, living for its own inherent value and nothing else.JASMINE ATAULLAH is a British jeweller of Pakistani and English descent.
Her work is a merge of inspirations; South Asian heritage, ritualistic adornment and architecture are all deeply reflected in the pieces she creates. The form of her work is often determined by repetitive engraving elements influenced by her love of henna, alongside ancient gold rings of the Islamic lands.
The Indus ring honours the ancient Indus Valley Civilisation - an advanced society which spanned across Northwestern regions of South Asia (3300-1300 BCE).
This piece draws from the fragments of artefacts and symbols lost to time-notably the ancient seals that hold the civilisation’s undeciphered pictographic script. A tactile reflection on language, progress, and cultural disappearance.A tapestry of blue and gold, woven using an ancient technique now nearing extinction. Blue sapphires thread through gold-symbols of wisdom and truth.As traditions fade and cultures vanish, this piece becomes a quiet tribute to the makers, preserving their stories in metal and stone.Trained as a fine jeweller and silversmith, MEGAN BROWN spent over five years in the jewellery industry before moving to London, where she completed a residency at the Sarabande Foundation. Currently, she can be found handcrafting her jewellery and sculptures in her Soho workshop, under the tutelage of renowned goldsmith Tom Scott.
Joshua Myszczynski and Richard Farbey met in 2019 whilst studying at Camberwell College of Art and have been collaborators since. Over 4 years Joshua perfected his self-taught bench techniques whilst Richard studied at Central St Martins developing his practice through digital fabrication. Together under FARBEY & MYSZCZYNSKI they create jewellery embracing their different approaches, to question the future while respecting the past.
Made in SMO gold, Sovereign’s Wake reflects on the extinction of power and the systems built around it.
The four figures intertwine from a sapphire, to hold a rock crystal case. Opening it reveals a king wrapped in porcelain sheets laying on a bed of diamonds.
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